The Lean Event – A review

Last week I spent two great days in Brighton at the The Lean Event and here is what I learned. Lean is a strategic system that combines principles, activities and artifacts to make better decisions about how to create customer value. The Lean Event provided a pocket guide to creating and operating within such a system.

Complex adaptive systems
Lean strategy views business in a different light from what was common in previous centuries. The world should no longer be thought of as a machine that can be known, optimised and planned for, but instead we should think about it as a complex adaptive system. This new world is forever in motion and demands constant exploration and adaptation. Lean strategy aims to be what Ed Catmull (quoted by Melissa Perri) called ‘a balance between clear leadership and chaos’.

Strategy is a bet on the future, a hypothesis about how the consumer landscape is going to evolve — Roger L. Martin

One way to provide clarity without rigidity are principles. A foundational principle of Lean is that every statement about the future should be seen as a hypothesis. Creating hypotheses allows us to move away from spending many weeks designing a product before we reveal it to the customer, and encourages the creation of prototypes and experiments to find out if the customer actually values what we are planning to make.

A principle that Jeff Gothelf discussed was that business value equals customer value (or in the words of Peter Drucker: ‘The purpose of business is to create and keep a customer.’). Any activity in a business that does not contribute to more and happier customers, either in the short or long term, should be questioned.

From this followed Jeff’s next principle: prioritise learning over delivery. It’s more important to learn about what customers value than to ship more stuff more efficiently. We first need to find out what people value enough to pay for, before we invest our time into building products that might end up on the shelf. This ties back to the idea of a complex adaptive systems, where the outcomes of your actions cannot be known in advance, which forces us to continuously check if our current offering still meets customer needs and if there are other ways we can provide value.

Themes and metrics
One benefit of the machine-age system is that it provides clarity about what should be done and what success looks like, but this clarity is deceptive, because it is based on overestimating the amount of certainty we can have about the future. Lean aims to move beyond these clear but flawed commands and yet avoid chaos by providing themes and metrics.

Themes, argued Jared Spool are much better than features to create focus around what should be done in the future. Because themes are descriptive and not prescriptive, they make it clear what is expected as an outcome, but don’t limit people in how this outcome should be achieved. For example, instead of stating that next quarter we will build a chat function on the homepage, we can state that we want to focus on the theme of creating more conversations with potential customers. Themes can be found through customer interviews, analytics and usability testing; they are areas where there’s often a clear opportunity to provide more customer value. They allow management to set directions while at the same time encourage experimentation by the individuals who have to deliver the work.

Metrics, as they were promoted by Ben Yoskovitz and Chris Matts, provide another way to create alignment on what matters. Ben promoted the idea of an OMTM: one metric that matters. Sticking to one metric allows everyone to focus on the same thing. Chris argued that we should choose the metric but not the expected value of this metric (a KPI). For example, do say ‘this quarter we want profit to go up’, but do not state by how much. A metric creates freedom for experimentation, since individuals can decide what they want to do and how to do it as long as they focus on the metric. A fixed KPI, on the other hand, encourages people to become risk averse. One easy way to make profits go up, for example, is to cut costs and delay investments. However, this would make them hit the short term goals, but wreck the business in the long term. Metrics connect well with themes; they create clarity of direction and enable freedom of execution.

The more I empower my staff, the better my results were — Raffi Krikorian

To make use of principles, themes and metrics you need a shared set of values, a framework that defines how you will play. Jane Austin delivered a great talk on how to create an environment that works around openness, autonomy and empowerment. Interestingly, these are very much aligned with themes that make people happy at work. Freedom on the one hand and clarity of themes and metrics on the other hand make it possible to work autonomously while still adhering to the larger organisational aims. Jane echoed Ben Yoskovitz’s statement that Lean allows business leaders to move from providing the right answers to asking the right questions (preferably early and often).

Jeff Gothelf furthermore suggested that to make values such as transparency, autonomy and empowerment meaningful they need to be tied to rituals — activities that take place with regular intervals — such as daily stand ups, weekly sprint planning and retrospectives and quarterly away days. Other important activities can be regular access to customers to interview and test ideas with, and access to analytics for everyone.

Artefacts connect people and provide visibility over time. Lean uses some well known artefacts such as personas and prototypes, but The Lean Event especially highlighted maps.

Jared Spool and Roman Pichler both discussed the idea of roadmaps filled with themes as a way to bridge the gap between the clarity of planning features and the wide ocean of providing customer value. Roman further argued that roadmaps provide a continuity of purpose, facilitate stakeholder collaborations and help with prioritisation. Even though theme-based roadmaps don’t appear to be very precise Roman jokingly quoted Keynes by stating ‘it’s better to be roughly right, than precisely wrong’.

It is better to be roughly right than precisely wrongJohn Maynard Keynes

Jiri Jerabek gave an example of generating a customer experience map as a shared activity over time instead of a reclusive one off activity done by a headphoned researcher at a computer.

Overall the two days showed a broad variety of themes and ideas that all tied together magnificently. Count me in for next year.

My favourite design articles 2015

One of the great joys about compiling lists is not just the list itself, but the process of reflection. Taking the time to go through the hundreds of items I collected gave me to opportunity to spot patterns that might otherwise have gone unnoticed.

Two themes stood out for me: designing products vs. designing processes and describing the world in stories vs. systems.

Design Through the Lens of the Human Condition— Dmitry Fadeyev

For the modern designer, the essence of a product no longer resides in the thing itself, in the object, but in the nature of the audience, the subject, for whom it is built.

The Impossibility of Permanence in a Consumer Society by Dmitry Fadeyev

In order to create timeless work, the designer must first disconnect themselves from the market, for as long as the work attempts to satisfy the transient desires of the consumer market it will itself be transient. Second, the work must find its core in a thing of a more permanent nature.

Good Design is About Process, not Product by Jared Sinclair

The point is not to solve the problem (though that will eventually happen), but merely to explore it. The urge to find a decision and pass judgement will destroy the fragile creative process. Instead, postpone judgement until the allotted time for creative work has lapsed. Only then should you return to a “closed” mode, in which you are judging and implementing the plans that your creativity has inspired. Repeat the cycle of open and closed modes with regularity.

Prototyping Risks when Design is Disappearing by Cameron Tonkinwise

Ideally, designers are equal parts fantasists and realists. They can imagine the most far-fetched unreal things; but then they can also focus on questions of practicability, how to make those imagined things real. Designing should be a dialectic between to these two different kinds of possibility.

Designers have tools and skills to manage this dialectic, techniques that give the expertise of designing its distinctiveness. All of these are ways of making futural possibilities partially real in the present so that they can be evaluated and detailed — chief among these are: prototypes.

The Next Feature Fallacy (or, the case for simple, working systems) and Why we like Simple, Working Systems more than MVPs by Joshua Porter

[W]hen you start thinking about building simple, working systems you become even more focused on getting people to use the product. In 98% of cases this is exactly where product teams should be focusing.

Modular design: a collaborative approach to building digital products by Alla Kholmatova

As we move away from an internet built of pages, we have found the modular approach to be a useful shift in our design process. Thinking in re-usable components, rather than full-page mock ups, helps us to move to the browser quicker and scale the product in a more consistent flexible way.

Themes: A Small Change to Product Roadmaps with Large Effects by Jared Spool

Themes are an alternative for features. Instead of promising to build a specific feature, the team commits to solving a specific customer problem.

How to break the first rule of system thinking

SIMPLE: I didn’t talk about systems thinking. That’s about more than one thing, if you say more than one thing you’re saying nothing. […]
UNEXPECTED: “look! That’s the ACTUAL JAR that’s on the big projector screen! And.. Oh my god.. He’s taking the paper off! WHAT’S INSIDE! WHAT’S INSIDE!”

The shape of story by Christina Wodtke

And when it can’t get any worse, make it worse before it gets better.

Product Land: Part 1, Part 2, Part 3 by Richard Pope

[D]igital products are also inherently complex and inherently multidimensional, […] design is too often constrained by our methods of thinking about them and too often risk being either derivative or simple iterations of variants as a result.

The interesting history is the one of the building of institutions that had the concept of accountability to the public baked into them — not an evolution of one thing to another, but active choice of a more accountable method of providing a service the public rely on.

Thanks to Will Myddelton and Dan Saffer for inspiring me to create this list.

Slides for Design better mobile forms

Successful form design has powered the emergence of web giants like Amazon, Google and Facebook. But forms have also become integral to how users expect to interact with government, finance and healthcare services.

At the same time, the rise of the mobile web, touch screens and the recognition of the importance of accessibility have radically altered what it takes to make forms easy to use. What you will learn in this workshop is a set of patterns and approaches for both copywriting and interaction design that will enable you to create accessible, understandable and mobile friendly forms.

View the slides on Slideshare

Design History Reading Club


Last year I spoke about the importance of knowing our field’s history at UX Brighton. One of my closing tips was to start reading the articles collected by Dan Saffer at the IxD Library. However, as is often the case with good advice, it is something I haven’t done myself (yet).

So, what if we do this all together, and read a selection of the articles and essays that have shaped the history of interaction design in a book club format?

It’s not easy to to pick a starting point, but the people who curated the great New Media Reader start with the following two texts:

  1. The Garden of Forking Paths – Jorge Luis Borges (1941)
  2. As We May Think – Vannevar Bush (1946)

A selection that I’m happy to follow and recommend.

11 June at 6.30PM

Somewhere in London.

To keep up to date follow @dhrc_london on Twitter.

P.S. the great logo is designed by my friend Tessa at buro vandiedagen.